Cars Beneath the Old WorksAt Sentinel Works, a car boot sale car park occupies the foreground of a weathered industrial building. Rows of vehicles and empty metal barriers bring everyday activity to a site marked by stained concrete, broken-looking windows and the vertical presence of a communications mast.From Clyde Industrial FringeBroken Windows at Sentinel WorksA weathered facade at Sentinel Works rises behind a tightly packed row of parked cars. Broken panes, stained concrete and exposed openings give the former industrial building a stark, unsettled presence, while the everyday activity in the foreground underscores the area’s layered industrial decline.From Clyde Industrial FringeGraffiti Presses Against the GateEvening sun catches the stone surround of a former entrance, where a locked iron gate frames discarded material inside. Graffiti spreads across the wall beside a pink letting notice and a closed shutter, setting commercial vacancy against the accumulated marks of the site.From Clyde Industrial FringeRound Vent Above the BrickworkAn orange-brick former industrial building catches low evening sun, its stone cornices and circular openings set against a turquoise sky. Temporary barriers and high mesh fencing cut across the lower frame, separating the roadside from graffiti-marked doorways and worn ground-floor openings.From Clyde Industrial FringeLayers of Buchanan StreetFrom an elevated viewpoint, Glasgow’s dense streetscape unfolds between tall commercial buildings. Repeating lamps, scaffolding and signs create a busy rhythm, softened by hazy distance, muted stone façades and a glimpse of hills beyond the city, giving the scene a layered sense of depth.From Sunny Saturday Afternoon in Glasgow City CentreAmong the BalloonsSunlight catches the woman’s hair as she stands amid a dense spray of reflective balloons. The tightly framed scene brings together an everyday city-centre moment and the bright, playful graphics of the busy balloon display.From Sunny Saturday Afternoon in Glasgow City CentreAdjusting the CapA fleeting street moment in Glasgow city centre: a man pauses with one hand on the brim of his cap. Strong sunshine defines the folds of his hoodie and gives the portrait an informal, observational mood, while the surrounding street falls softly out of focus.From Sunny Saturday Afternoon in Glasgow City CentreReflections Between UsA close, unguarded encounter unfolds against the cool reflections of the city centre glass. The figures occupy an intimate distance, with the outward-facing person’s expression lending the moment a quiet tension amid the movement and surfaces of a Saturday afternoon.From Sunny Saturday Afternoon in Glasgow City CentreA Small GestureWarm light catches loose strands of hair as a woman turns toward someone beside her, holding a tiny item aloft. The close framing preserves the sense of conversation and shared attention within a busy city-centre afternoon.From Sunny Saturday Afternoon in Glasgow City CentreZionism Is RacismIn bright afternoon light, two people move across a dark-backed public setting. The central figure’s printed statement brings a direct political message into an otherwise candid, close-framed moment, while the red-clad companion is turned away from the camera.From Sunny Saturday Afternoon in Glasgow City CentreSaturday PauseIn a tucked-away urban passage, a small group gathers outside adjoining buildings. The central figure meets the lens while the others turn inward, creating a moment of casual connection framed by textured walls, pavement and the close quarters of the street.From Sunny Saturday Afternoon in Glasgow City Centre
