Barricades Beneath the StreetlampLinked pedestrian barriers close off a graffiti-lined passage as a streetlamp picks out foliage and worn brick beyond. The blocked route and deep surrounding darkness make the alley feel enclosed, while layers of paint hold the eye along the right-hand wall.From Glasgow After Dark: TracersBlue Arch Under the ViaductRed tail-light trails sweep through a Glasgow underpass beneath the heavy, repeating bays of a viaduct. Warm lamps pick out the road markings and weathered walls, while a cobalt-blue arch and scattered graffiti sharpen the nocturnal contrast.From Glasgow After Dark: TracersWeathered Stair TreadsAn exterior flight rises beside a screened wall marked with red paint, its worn surfaces and dense steel balustrades forming a hard boundary against the overcast afternoon. The route upward appears functional and guarded, with no pedestrians in view.From Whats it called ? CumbernauldThe Curve Draws Up to the StandA white rail curves through tall grass towards the ageing grandstand at Shawfield. Rusted cladding, boarded yellow window panels and graffiti sit beneath a low, unsettled sky, while vegetation has spread across the ground between the track edge and the building.From Shawfield TrackWeeds Between the TerracesBeneath the shelter’s dense web of girders, painted names and characters run along the curving wall. Broken terrace steps lead through the space while fresh vegetation gathers at the edge, pressing against the concrete and columns.From Shawfield TrackStepped Concrete by the Corrugated WallRows of concrete steps lead into a roofed structure where vivid graffiti occupies nearly every available surface. Dark steel trusses and worn industrial materials frame a striking collision between the building’s former function and its intensely layered present appearance.From Shawfield TrackUnder the Tin CanopyBeneath the low corrugated canopy, successive murals draw the eye along the abandoned concourse. The nearest piece fills the frame with angular forms, while smaller works cluster farther down the bend among damaged paving and vacant openings.From Shawfield TrackThe Unfinished ChorusDaylight enters through gaps in the corrugated canopy, catching weathered boards and saturated marks. The composition moves from a small screened recess at left to a nearly black entryway, enclosing the colourful centre in a worn industrial shell.From Shawfield TrackMarks of OccupancyA sequence of vivid tags draws the eye along the weathered exterior, from orange forms at left to a central block of green and blue. The dark interiors behind the openings and the untended ground in front give the scene an uneasy sense of separation.From Shawfield TrackAn Argument in CrimsonLayered colour transforms the rough exterior into a broad hand-painted field. Turquoise paint gathers along the base, red shapes dominate the centre, and a cartoon-like figure appears at the far right, creating a lively contrast with the worn building fabric.From Shawfield TrackUnder an Open RoofDecay has overtaken the former covered space: a painted service hatch remains upright beside broken furniture and long work surfaces. Overhead, missing roof panels expose a tangle of branches and green growth beyond the rafters.From Shawfield TrackYellow Tags on the Rusted DoorA partly open door turns the deteriorating building into a frame for the site beyond. Cracked paving, weeds and brambles lead toward a second rusted roof, while painted marks and peeling surfaces record layers of use and neglect.From Shawfield TrackA Framework for RuinBehind the brick perimeter, the building’s patched exterior reveals traces of maintenance and long exposure: scaffold poles, conduits, small plants and uneven render. Large graffiti lettering cuts across the base of the frame, turning the boundary into the photograph’s strongest graphic element.From Shawfield TrackGBGB Racing, ShawfieldAt Shawfield Stadium, a GBGB Racing sign remains fixed to a corrugated industrial facade beside a peeling, disused building. Graffiti, boarded doors and encroaching grass lend the scene a quiet, weathered mood, while the tower and clear evening light sharpen its industrial edges.From Clyde Industrial FringeRed Brick, Blue MarginThe building meets the road as a closed, heavily marked presence: damaged panes rise above sealed entrances, and a single traffic sign stands at the corner. Warm side light sharpens its architectural ornament against the blue sky.From Clyde Industrial FringeTyre on the Fire EscapeA zigzag of metal stairs cuts across the brick elevation, its railings and mesh enclosing landings altered by rust, graffiti and encroaching plants. Turquoise paint and a discarded tyre punctuate the structure, while evening sun catches the metal against a clear blue sky.From Clyde Industrial FringeGraffiti Presses Against the GateEvening sun catches the stone surround of a former entrance, where a locked iron gate frames discarded material inside. Graffiti spreads across the wall beside a pink letting notice and a closed shutter, setting commercial vacancy against the accumulated marks of the site.From Clyde Industrial FringeRound Vent Above the BrickworkAn orange-brick former industrial building catches low evening sun, its stone cornices and circular openings set against a turquoise sky. Temporary barriers and high mesh fencing cut across the lower frame, separating the roadside from graffiti-marked doorways and worn ground-floor openings.From Clyde Industrial FringeCustom House QuayColour, texture and foot traffic converge in an urban corridor filled with layered graffiti. Groups pause or continue on their way as a cyclist moves through the scene, giving the moment an informal, energetic rhythm.From Sunny Saturday Afternoon in Glasgow City Centre